![]() Genius is the world’s biggest collection of song lyrics and musical knowledge. Watch the music video for “Keeper” below. Keeper by Hana Vu was produced by Hana Vu, Jackson Phillips & Danny Dwyer. A press release describes the video as “a compelling exploration of feeling unnoticed.” Shot in a single take on 16mm by cinematographer Andrew Yuyi Truong, the video sees Vu wretchedly roam through a house full of her family. On “Keeper,” vocals and sounds are elaborately tangled, slightly fuzzed without dimming the soul of the song.ĭirected by Maegan Houang and choreographed by Jas Lin, the “Keeper” music video finds Vu aching, then bursting with frustration-chaos only controlled by the claustrophobia of the location of the video. Public Storage is the first time Vu welcomes a co-producer, Jackson Phillips (Day Wave). ![]() “Keeper,” following “ Maker” and “ Everybody’s Birthday,” is a glimmering, new wave-inspired track, synths whirling around her voice as it teeters between unbothered and tender. For perhaps the first time in a long time, she is complete, and Public Storage is just the beginning.Los Angeles-based artist Hana Vu is back with another single from her forthcoming album, Public Storage, out Nov. She reunites the fragments of herself into a work that is bold and propitious. On the other side of the aisle are poppy floor fillers such as “Aubade” and “Keeper.” Vu’s vocal range is best demonstrated on the latter, with lyrics that spin platitudes into waiting-to-be-tattooed maxims: “All the people you hurt for aren’t for you.” The high-water mark comes with the flute-bedaubed “My House.” Vu sings of living on the edge of the world, of wanting a home for her own, reflecting on her family’s transience during her childhood and teenage years.Īfter years of uncertainty, of having to lock parts of herself away in storage, Vu has taken charge of her future. With a wall of sound beneath her, Vu’s voice sounds charged with assertiveness despite the self-deprecating lyrics: “Kick me up/From the gutter to the curb.” Over moody, wintery guitars, she paddles in pessimism before questioning if her feelings are trustworthy: “No I don’t really care now/Or that’s what I’ll say/Who knows if it’s true?” “Gutter” has a similar tilt, but it’s bigger and more cinematic, Sharon Van Etten not Soccer Mommy. The title track has the biggest overlap with her EPs. ![]() More than that, though, it trades low fidelity for sonorous synth- and string-coated arrangements comparable with Angel Olsen, maturing her sound into work that could pass for her second or third full-length. Public Storage polishes what Vu investigated on Nicole Kidman / Anne Hathaway-2019’s two-disc EP inspired by her favorite big-screen belles namely the merger of dancey indie pop with glum, guitar-led contemplation. LA’s newest hype generator is the 21-year-old singer/songwriter, owner of a handful of scruffy but brilliant EPs and now armed with a debut album that’s equal parts club-ready (“Aubade”) and the soundtrack to late-night drives (“Anything Striking”). It happened to Car Seat Headrest, it happened to Jay Som, and it can happen to Hana Vu, too. And then the indie labels clamor for the awaited debut. Then comes the buzz-the undercurrent Spotify playlists, the 1 p.m. It begins with self-produced bedroom bops. ![]() The path to indie eminence seems to follow a pattern.
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